This page contains tables of contents for volumes 25–42 of DSA. Use your browser’s "Find" or "Search" function to search the page for specific keywords.

We will be expanding this page to include tables of contents of all volumes of DSA and abstracts for volumes 29 onward.

Volume 25 (1996), ISBN 0-404-18545-2

Laura C. Berry, “In the Bosom of the Family: The Wet-Nurse, the Railroad, and Dombey and Son”
Brian Cheadle, “Mystification and the Mystery of Origins in Bleak House”
Joseph W. Childers, “Nicholas Nickleby’s Problem of Doux Commerce”
LuAnn McCracken Fletcher, “A Recipe for Perversion: The Feminine Narrative Challenge in Bleak House”
Gillian Gane, “The Hat, the Hook, the Eyes, the Teeth: Captain Cuttle, Mr. Carker, and Literacy”
Elizabeth C. Gitter, “The Rhetoric of Reticence in John Forster’s Life of Charles Dickens”
Ann Grigsby, “Charles Reade’s Hard Cash: Lunacy Reform Through Sensationalism”
Winifred Hughes, “Mindless Millinery: Catherine Gore and the Silver Fork Heroine”
Anne Humpherys, “Louisa Gradgrind’s Secret: Marriage and Divorce in hard Times”
Wendy S. Jacobson, “The Genesis of the Last Novel: The Mystery of Edwin Drood”
James Kincaid, “Pip and Jane and Recovered Memories”
John B. Lamb, “Domesticating History: Revolution and Moral Management in A Tale of Two Cities”
Brian W. McCuskey, “‘Your Love-sick Pickwick’: The Erotics of Service”
Tore Rem, “Playing Around with Melodrama: The Crummles Episode in Nicholas Nickleby”
Shirley A. Stave, “The Perfect Murder: Patterns of Repetition and Doubling in Wilkie Collins’s The Woman in White”
John Watson, “Thackeray and Becky Sharp: Creating Women”
Joel J. Brattin, “Recent Dickens Studies: 1994”

Volume 26 (1998), ISBN 0-404-18546-0

Mark M. Hennelly, Jr., “Courtly Wild Men and Carnivalesque Pig Women in Dickens and Hardy”
Joseph Litvak, “Bad Scene: Oliver Twist and the Pathology of Entertainment”
Jon Surgal, “The Parable of Spoons and Ladles: Sibling and Crypto-Sibling Typology in Martin Chuzzlewit”
Joel J. Brattin, “‘Let Me Pause Once More’: Dickens’s Manuscript Revisions in the Retrospective Chapters of David Copperfield”
Barbara Black, “A Sisterhood of Rage and Beauty: Dickens’s Rosa Dartle, Miss Wade, and Madame Defarge”
Stephen Hake, “Becoming Poor to Make Many Rich: The Resolution of Class Conflict in Dickens”
Timothy L. Carens, “The Civilizing Mission at Home: Empire, Gender, and National Reform in Bleak House”
Paula A. Kran, “Signification and Rhetoric in Bleak House”
Valerie L. Wainwright, “On Goods, Virtues, and Hard Times”
Anna Wilson, “On History, Case History, and Deviance: Miss Wade’s Symptoms and Their Interpretation”
Kathleen Sell, “The Narrator’s Shame: Masculine Identity in Great Expectations”
Jerome Meckier, “‘Dashing In Now’: Great Expectations‘ and Charles Lever’s A Day’s Ride”
Lisa Sturridge, “‘John Rokesmith’s Secret’: Sensation, Detection, and the Policing of the Feminine in Our Mutual Friend”
Teresa Mangum, “Wilkie Collins, Detection, and Deformity”
Jeremy Tambling, “Carlyle in Prison: Reading Latter-Day Pamphlets”
Joseph W. Childers, “Recent Dickens Studies: 1995”

Volume 27 (1998), ISBN 0-404-18547-9

Pauline Fletcher, “Bacchus in Kersey: Dickens and the Classics”
Tatiana Holway, “Imaginary Capital: The Shape of the Victorian Economy and the Shaping of Dickens’s Career”
Mary Lenard, “‘Mr. Popular Sentiment’: Dickens and the Gender Politics of Sentimentalism and Social Reform Literature”
Scott Dransfield, “Reading the Gordon Riots in 1841: Social Violence and Moral Management in Barnaby Rudge”
H. M. Daleski, “Seasonal Offerings: Some Recurrent Features in Dickens’s Christmas Books”
Robert Tracy, “‘A Whimsical Kind of Masque’: The Christmas Books and Victorian Spectacle”
Elizabeth Dale Samet, “‘When Constabulary’s Duty’s To Be Done’: Dickens and the Metropolitan Police”
Kenneth M. Sroka, “A Tale of Two Gospels: Dickens and John”
David Rosen, “A Tale of Two Cities: Theology of Revolution”
Timothy Spurgin, “‘It’s Me Wot Has Done It’: Letters, Reviews, and Great Expectations”
Martine Hennard Dutheil, “Salman Rushdie’s Affiliation with Dickens”
John P. Frazee, “The Creation of Becky Sharp in Vanity Fair”
Kenneth J. Fielding, “Letters of Thackeray to the Ashburtons”
Debra Morris, “Maternal Roles and the Production of Wilkie Collins’s No Name”
David Garlock, “Entangled Genders: Plasticity, Indeterminacy and Constructs of Sexuality in Darwin and Hardy”
Trey Philpotts, “Recent Dickens Studies: 1996”

Volume 28 (1999), ISBN 0-404-18548-7

Jim Barloon, “The Black Hole of London: Rescuing Oliver Twist”
Claudia Klaver, “Unnatural Agencies: Little Dorrit, Speculation, and Administrative Reform”
Robert R. Garnett, “Dickens, the Virgin, and the Dredger’s Daughter”
Lawrence Frank, “News from the Dead: Archaeology and Detection in The Mystery of Edwin Drood”
Sundeep Bisla, “Copy-Book Morals: The Woman in White and Publishing History”
Jeanette Shumaker, “Gaskell’s Ruth and Hardy’s Tess as Novels of Free Union”
William J. Palmer, “New Historicizing Dickens”
Elizabeth G. Gitter, “Recent Dickens Studies: 1997”
Alicia Carrol, “Vocation and Production: Recent George Eliot Studies”
Lillian Nayder, “Recent Wilkie Collins Studies”
Margaret D. Stetz, “Review Essay: Fin de Siecle”
Richard J. Dunn and Ann M. Tandy, “David Copperfield: An Annotated Bibliography, Supplement I—1981–1998”

Volume 29 (2000), ISBN 0-404-18549-5

Malcolm Andrews, “Dickens, Washington Irving, and English National Identity”
Sean C. Grass, “Pickwick, the Past, and Prison”
David Parker, “Oliver Twist and the Fugitive Family”
Catherine Robson, “Down Ditches, on Doorsteps, in Rivers: Oliver Twist’s Journey to Respectability”
Goldie Morgentaler, “The Long and the Short of Oliver and Alice: The Changing Size of the Victorian Child”
Colette Colligan, “Raising the House Tops: Sexual Surveillance in Charles Dickens’s Dombey and Sons”
Annette R. Federico, “Dickens and Disgust”
James Hill, “Authority and Bildungsroman: The Double Narrative of Bleak House”
David A. Ward, “Distorted Religion: Dickens, Dissent, and Bleak House”
Daniel P. Scoggin, “Speculative Plagues and the Ghosts of Little Dorrit”
Karen C. Gindele, “Desire and Deconstruction: Reclaiming Centers”
Keith Hale, “Doing the Police in Different Voices: The Search for Identity in Dust Heaps and Waste Lands”
Carol-Ann Farkas, “Beauty Is and Beauty Does: Action and Appearance in Brontë and Eliot”
Lisa Sternlieb, “‘Three Leahs to Get One Rachel’: Redundant Women in Tess of the d’Urbervilles”
Cynthia Northcutt Malone, “Near Confinement: Pregnant Women in the Nineteenth-Century British Novel”
Harland S. Nelson, “Recent Dickens Studies: 1998”
David Garlock, “Recent Studies in Thomas Hardy’s Fiction 1987–99”

Volume 30 (2001), ISBN 0-404-18930-X

Amanpal Garcha, “Styles of Stillness and Motion: Market Culture and Narrative Form in Sketches by Boz”
Robert Tracy, “Clock Work: The Old Curiosity Shop and Barnaby Rudge”
Goldie Morgentaler, “Executing Beauty: Dickens and the Aesthetics of Death”
Patrick Brantlinger, “Did Dickens Have a Philosophy of History? The Case of Barnaby Rudge”
Judith Wilt, “Masques of the English in Barnaby Rudge”
John Glavin, “Politics and Barnaby Rudge: Surrogation, Restoration, and Revival”
Michelle Mancini, “Demons on the Rooftops, Gypsies in the Street: The ‘Secret Intelligence’ of Dombey and Son”
Regina B. Oost, “‘More Like Than Life’: Painting, Photography, and Dickens’s Bleak House”
Robyn L. Schiffman, “Wax-work, Clock-work, and Puppet Shews: Bleak House and the Uncanny”
James E. Marlow, “Towards a Dickens Poetics: Indexical and Iconic Language in Bleak House”
Barry Stiltner, “Hard Times: The Disciplinary City”
Mark M. Hennelly, Jr., “‘Like or No Like’: Figuring the Scapegoat in A Tale of Two Cities”
Clare Pettitt, “Monstrous Displacements: Anxieties of Exchange in Great Expectation”
Jonathan Taylor, “‘Servants’ Logic’ and Analytical Chemistry: George Eliot, Dickens, and Servants”
Eleni Coundouriotis, “Hetty and History: The Political Consciousness of Adam Bede”
Carolyn Oulton, “‘The Good Angel of Our Lives’: Subversive Religion in The Woman in White”
Simon Cooke, “A Forgotten Collaboration of the Late 1860s: Charles Reade, Robert Barnes, and the Illustrations for Put Yourself in His Place”
Michael Lund, “Recent Dickens Studies: 1999

Volume 31 (2002), ISBN 0-404-18931-8

Emily Walker Heady, “The Negative’s Capability: Real Images and the Allegory of the Unseen in Dickens’s Christmas Books”
Rachel Ablow, “‘Labors of Love’: The Sympathetic Subjects of David Copperfield”
S. D. Powell, “The Subject of David Copperfield’s Renaming and the Limits of Fiction”
Richard Lettis, “The Names of David Copperfield”
Eric Berlatsky, “Dickens’s Favorite Child: Malthusian Sexual Economy and the Anxiety over Reproduction in David Copperfield”
Norman Macleod, “Which Hand? Reading Great Expectations as a Guessing Game”
Rosemary Bodenheimer, “Dickens and the Identical Man: Our Mutual Friend Doubled”
Grace Moore, “Swarmery and Bloodbaths: A Reconsideration of Dickens on Class and Race in the 1860s”
Jan B. Gordon, “Dickens and the Transformation of Nineteenth-Century Narratives of ‘Legitimacy’”
Catherine Rising, “The D. Case Reopened”
Melissa Valiska Gregory, “The Unexpected Forms of Nemesis: George Eliot’s ‘Brother Jacob,’ Victorian Narrative, and the Morality of Imperialism”
David Garlock, “Recent Dickens Studies: 2000”
Linda H. Peterson, “Review of Brontë Studies: The Millennial Decade, 1990–2000”
Robert A. Colby, “Thackeray Studies, 1993–2001”
Susan Hamilton, “Ten Years of Gaskell Criticism”

Volume 32 (2002), ISBN 0-404-18932-6

Paul Schlicke, “Embracing the New Spririt of the Age: Dickens and the Evolution of The Old Curiosity Shop”
H. M. Daleski, “Narrating History in Scott and Dickens”
George Scott Christian, “‘They lost the whole’: Telling Historical (Un)Truth in Barnaby Rudge”
Jeffrey L. Spear, “Of Jews and Ships and Mob Attacks, of Catholics and Kings” The Curious Career of Lord George Gordon”
Claire Senior, “‘What the Waves Were Always Saying’: Submerging Masculinity in Dombey and Son”
Simon Joyce, “Inspector Bucket versus Tom-all Alone’s: Bleak House, Literary Theory, and the Condition-of-England in the 1850s”
Julie M. Dugger, “Editorial Interventions: Hard Times’s Industrial Imperative”
Mark Knight, “Little Dorrit and Providence”
Daniel Siegel, “Help Wanting: The Exhaustion of the Dickensian Ideal”
Miriam O’Kane Mara, “Sucking the Empire Dry: Colonial Critique in The Mystery of Edwin Drood”
Jude V. Nixon, “‘Proud possession to the English nation’: Victorian Philanthropy and Samuel Johnson’s Goddaughter”
Lillian Nayder, “The Widowhood of Catherine Dickens”
Susan Lynn Beckwith and John R. Reed, “Impounding the Future: Some Uses of the Present Tense in Dickens and Collins”
Maria K. Bachman and Don Richard Cox, “Wilkie Collins’s Villainous Miss Gwilt, Criminality, and the Unspeakable Truth”
Hugues Lebailly, “Charles Lutwidge Dodgson’s Infatuation with the Weaker and More Aesthetic Sex Reexamined”
Jeanette Roberts Shumaker, “Secret Garden of Repressed Desires: Frances Hodgson Burnett’s That Lass O’Lowries”

Volume 33 (2003), ISBN 0-404-18933-4

Mark M. Hennelly, Jr., “A Rabelaisian View from Todger’s Backside, Or, ‘Partly Spiritual, Partly Spiritous’ in Martin Chuzzlewit”
Robert Tracy, “Lighthouskeeping: Bleak House and the Crystal Palace”
Katherine Williams, “Glass Windows: The View from Bleak House”
Monique R. Morgan, “Conviction in Writing: Crime, Confession, and the Written Word in Great Expectations”
Philip V. Allingham, “Charles Dickens’s A Tale of Two Cities (1859) Illustrated: A Critical Reassessment of Hablot Knight Browne’s Accompanying Plates”
Ellen Miller Casey, “‘Boz has got the Town by the ear’: Dickens and the Athenaeum Critics”
Jeffrey Cass, “Miltonian Orientalism: Jane Eyre and the Two Dalilas”
Allan W. Atlas, “Wilkie Collins, Mr. Vanstone, and the Case of Beethoven’s ‘No Name’ Symphony”
Duane DeVries, “A Survey of Bibliographical and Textual Studies of Dickens’s Works”
Robyn L. Schiffman, “Review Essay: Psychological Criticism on Dickens, 1982–2001”
Goldie Morgentaler, “Recent Dickens Studies: 2001”
Robert J. Heaman, “Our Mutual Friend: An Annotated Bibliography, Supplement I, 1984–2000”

Volume 34 (2004), ISBN 0-404-18934-2

John B. Lamb, “Faces in the Window, Stains on the Rose: Grimaces of the Real in Oliver Twist”
Elizabeth Palmberg, “Clockwork and Grinding in Master Humphrey’s Clock and Dombey and Son”
Julia Miele Rodas, “Tiny Tim, Blind Bertha, and the Resistance of Miss Mowcher: Charles Dickens and the Uses of Disability”
Elisabeth Gitter, “Dickens’s Dombey and Son and the Anatomy of Coldness”
Karl Smith, “Little Dorrit’s ‘speck’ and Florence’s ‘daily blight’: Urban Contamination and the Dickensian Heroine”
Eric G. Lorentzen, “‘Obligations of Home: Colonialism, Contamination, and Revolt in Bleak House”
Keith Easley, “Dickens and Bakhtin: Authoring in Bleak House
Christopher Barnes, “Hard Times: Fancy as Practice”
David Paroissien, “Ideology, Pedagogy, and Demonology: The Case Against Industrialized Education in Dickens’s Fiction”
Jennifer Ruth, “The Self-Sacrificing Professional: Charles Dickens’s ‘Hunted Down’ and A Tale of Two Cities”
David Hennessee, “Gentlemanly Guilt and Masochistic Fantasy in Great Expectations”
Philip Rogers, “‘My word is error’: Jane Eyre and Colonial Exculpation”
Alicia Carroll, “Post-Millennial Dickens: A Review Essay 2002”
Carolyn Sigler, “Lewis Carroll Studies, 1983–2002”

Volume 35 (2005), ISBN 0-404-18935-0

Ian Wilkinson, “Peformance and Control: The Carnivalesque City and Its People in Charles Dickens’s Sketches by Boz”
Michael Hollington, “Nickleby, Flanerie, Reverie: The View from Cheerybles’”
Eileen Cleere, “‘Implicit Faith in the Deception’: Misanthropy, Natural History, and The Old Curiosity Shop”
Molly Clark Hillard, “Dangerous Exchange: Victorian Fairies, Goblin Economies, and The Old Curiosity Shop”
Ella Westland, “Dickens’s Dombey and the Storied Sea”
Randall Craig, “Fictional License: The Case of (and in) Great Expectations”
Sue Zemka, “Chronometrics of Love and Money in Great Expectations”
Aaron Landau, “Great Expectations, Romance, and Capital”
Tyson Michael Stolte, “Mightier than the Sword: Aggression of the Written Word in Great Expectations”
Michelle J. Mouton, “Margaret Oliphant and John Stuart Mill: Disinterested Politicians and the 1865 General Election”
K. M. Newton, “Revisions of Scott, Austen, and Dickens in Daniel Deronda
Jude V. Nixon, “‘Lost in the vast worlds of wonder’: Dickens and Science”
Robert R. Garnett, “Recent Dickens Studies: 2003”
David Paroissien, “Oliver Twist: An Annotated Bibliography—Supplement I”

Volume 36 (2005), ISBN 0-404-18936-9

Volume 37 (2006), ISBN 0-404-18937-7

John Bowen, “A Garland for the Old Curiosity Shop”
James R. Kincaid, “Blessings for the Worthy: Little Dorrit and the Nature of Rants”
Linda Lewis, “Madame Defarge as Allegory in Dickens’s A Tale of Two Cities”
Deborah Wynne, “Scenes of ‘Incredible Outrage’: Dickens, Ireland, and A Tale of Two Cities”
Seth Rudy, “Stage Presence: Performance and Theatricality in Dickens’s Our Mutual Friend”
Lillian Nayder, “Catherine Dickens and Her Colonial Sons”
Sean C. Grass, “The Moonstone, Narrative Failure, and the Pathology of Surveillance”
Kay Li, “Dickens and China: Contextual Interchanges in Cultural Globalization”
Terri A. Hasseler, “Recent Dickens Studies: 2004”
Mark Turner, “Trollope Studies, 1997–2004”
Grace Moore, “Colonialism in Victorian Fiction: Recent Studies”
Linda K. Hughes, “Recent Studies in Nineteenth-Century Women Narrative Poets”
Talia Schaffer, “British Non-Canonical Women Novelists, 1850–1900: Recent Studies”
Roger Swearingen, “Recent Studies in Robert Louis Stevenson: Letters, Reference Works, Texts—1970–2005”

Volume 38 (2007), ISBN-13: 978-0-404-18938-9

John Bowen, “A Garland for the Old Curiosity Shop”
David McAllister, “‘Subject to the Sceptre of Imagination’: Sleep in Oliver Twist”
Leona Toker, “Nicholas Nickleby and the Discourse of Lent”
Albert D. Pionke, “Degrees of Secrecy in Dickens’s Historical Fiction”
Alan P. Barr, “Matters of Class and the Middle-Class Artist in David Copperfield”
Shari Hodges Holt, “Dickens from a Postmodern Perspective: Alfonso Cuaron’s Great Expectations for Generation X”
Clay Daniel, “Jane Eyre and the Rewriting of Paradise Lost”
Thomas Recchio, “Toward a Theory of Narrative Sympathy: Character, Story, and the Body in The Mill on the Floss”
Diana C. Archibald, “Recent Dickens Studies: 2005”
Roger G. Swearingen, “Robert Louis Stevenson: Recent Biographical and Critical Studies—1970–2005”
Ruth F. Glancy, “Dickens’s Christmas Books, Christmas Stories, and Other Short Fiction: An Annotated Bibliography—Supplement I”

Volume 39 (2008), ISBN-13: 978-0-404-18939-6

Carolyn Dever, “The Gamut of Emotions from A to B: Nickleby’s ‘Histrionic Expedition’”
James Buzard, “Enumeration and Exhaustion: Taking Inventory in The Old Curiosity Shop”
Lisa Hartsell Jackson, “Little Nell’s Nightmare: Sexual Awakening and Insomnia in Dickens’s The Old Curiosity Shop”
Igor Webb, “Charles Dickens in America: The Writer and Reality”
Mark M. Hennelly, Jr., “Dickens’s Daniel-Plato Complex in Dombey and Bleak House”
Natalie Kapetanios Meir, “‘What would you like for dinner?’: Dining and Narration in David Copperfield”
Kimberle L. Brown, ‘When I Kissed Her Cheek’: Theatrics of Sexuality and the Framed Gaze in Esther’s Narration of Bleak House”
Keith Easley, “Self-Possession in Great Expectations”
Britta Martens, “Death as Spectacle: The Paris Morgue in Dickens and Browning”
Bert Hornback, “Mortimer Lightwood”
Daniel Pollack-Pelzner, “Reading and Repeating Our Mutual Friend”
John Glendening, “War of the Roses: Hybridity in The Moonstone”
Natalie B. Cole, “Dickens and Gender: Recent Studies, 1992–2007”
Timothy Spurgin, “Recent Dickens Studies, 2006”

Volume 40 (2009), ISBN-13: 978-0-404-18940-2

Paul Schacht, “In Pursuit of Pickwick’s Hat: Dickens and the Epistemology of Utilitarianism”
Natalie McKnight, “The Erotics of Barnaby Rudge”
Karen Bourrier, “Reading Laura Bridgman: Literacy and Disability in Dickens’s American Notes”
Michael Klotz, “Dombey and Son and the ‘Parlour on Wheels’”
John Kofron, “Dickens, Collins, and the Influence of the Arctic”
Jan Alber, “Darkness, Light, and Various Shades of Gray: The Prison and the Outside World in Charles Dickens’s A Tale of Two Cities”
Philip V. Allingham, “The Illustrations for Great Expectations in Harper’s Weekly (1860–1861) and in the Illustrated Library Edition (1862)—‘Reading by the Light of Illustration’”
Victoria Ford Smith, “Dolls and Imaginative Agency in Bradford, Pardoe, and Dickens”
Robert Tracy, “‘Opium is the true hero of the tale’: De Quincey, Dickens, and The Mystery of Edwin Drood”
Stephanie Pena-Sy, “Intoxication, Provocation, and Derangement: Interrogating the Nature of Criminal Responsibility in The Mystery of Edwin Drood”
Robert Hanna, “Before Boz: The Juvenilia and Early Writings of Charles Dickens, 1820– 1833”
Natalie McKnight, “Recent Dickens Studies—2007”

Volume 41 (2010), ISBN-13: 978-0-404-18941-9

Rodney Stenning Edgecombe, “Theatrical Dance in Dickens”
Trey Philpotts, “Mad Bulls and Dead Meat: Smithfield Market as Reality and Symbol”
Robyn Warhol-Down, “‘What Might Have Been Is Not What Is’: Dickens’s Narrative Refusals”
Andrew Burke, “Purloined Pleasures: Dickens, Currency, and Copyright”
Jude V. Nixon, “‘[M]any Jewels set in dirt’: The Christology, Pictures from Italy, and Pre-Raphaelite Art”
Philip V. Allingham, “Charles ‘Carlo’ Dickens In and Out of Italy in 1844: The Chimes”
Michael J. Flynn, “Pendennis, Copperfield, and the Debate on the ‘Dignity of Literature’”
Lauren Wood Hoffer, “‘She brings everything to a grindstone’: Sympathy and the Paid Female Companion’s Critical Work in David Copperfield”
Melissa Valiska Gregory, “Dickens’s Collaborative Genres”
Katherine Montweiler, “Reading, Sympathy, and the Bodies of Bleak House”
Gail Turley Houston, “‘Pretend[ing] a little’: The Play of Musement in Dickens’s Little Dorrit”
Sarah Gates, “‘Let me see if Philip can/ Be a little gentleman’: Parenting and Class in Struwwelpeter and Great Expectations”
Lanya Lamouria, “The Revolution Is Dead! Long Live Sensation!: The Political History of The Woman in White”
Lawrence Frank, “Panoptical Delusions: British India in The Sign of Four”
Cynthia N. Malone, “Recent Dickens Studies: 2008”

Volume 42 (2011 [NYP]), ISBN-13: 978-0-404-18942-?

Dehn Gilmore, “Terms of Art: Reading the Dickensian Gallery”
Marc Napolitano, “Making Music with the Pickwickians: Form and Function in Musical Adaptations of The Pickwick Papers”
Sharon Aronofsky Weltman, “Boz versus Bos in Sweeney Todd: Dickens, Sondheim, and Victorianness”
Mark Hennelly, Jr., “Dickens’s Immaterial Culture of Hats and The Pickwick Papers”
Maia McAleavey, “The Discipline of Tears in The Old Curiosity Shop”
Jessica Kilgore, “Father Christmas and Thomas Malthus: Charity, Epistemology, and Political Economy in A Christmas Carol”
Goldie Morgentaler, “The Doppelganger Effect: Dickens, Heredity, and the Double in The Battle of Life”
Rosemarie Bodenheimer, “Copperfield’s Geographies”
Karen Laird, “Adapting the Seduction Plot: David Copperfield’s Magdalens on the Victorian Stage”
Leslie Simon, “Bleak House, Our Mutual Friend, and the Aesthetics of Dust”
Susan Cook, “Season of Light and Darkness: A Tale of Two Cities and the Daguerrean Imagination”
Jim Barloon, “Cryptic Texts: Coded Signs and Signals in A Tale of Two Cities”
David Paroissien, “Clarriker, Pocket, and Pirrip: The Original Tale of Dickens’s Clerk”
David Wilkes, “The Mudworm’s Bower and Other Metropastoral Spaces: Novelization and Clashing Chronotypes in Our Mutual Friend”
Shari Hodges Holt, “Recent Dickens Studies: 2009”