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AMS Press, Inc.
Brooklyn Navy Yard
63 Flushing Ave., Unit #221
Brooklyn, NY 11205-1073
USA

Volume 18

1650–1850

Ideas, Æsthetics, and Inquiries
in the Early Modern Era

Editor
Kevin L. Cope

Book Review Editor
Scott Paul Gordon

ISSN 1065-3112
Set ISBN-10: 0-404-64400-7
Set ISBN-13: 978-0-404-64400-0

Click here to view contents for volumes 1–17.


“. . . belongs in the library of every university that takes the study of the Enlightenment seriously.”

—The East-Central Intelligencer

“Its contents remain delightfully eclectic.

—Devoney Looser, Studies in English Literature, 1500–1900, on volume 17


1650–1850: Ideas, Æsthetics, and Inquiries in the Early Modern Era takes a focused but multidisciplinary approach to the “long eighteenth century,” the two hundred years during which the writers and artists explored, developed, and represented a complex program of modernization or “Enlightenment.” Covering a period that begins with the revolutionary thought of Thomas Hobbes and the surprising establishment of a Commonwealth government and that ends with the careers of William Wordsworth and Lord Byron, 1650–1850 publishes essays treating the aesthetic and philosophical side of this period of deep social transformation. This annual includes studies on the literature, philosophy, theology, art, music, architecture, and personalities of the period. It publishes many essays on British topics but also includes studies from various cultures, from Vietnam and Romania to Peru and the arctic. It seeks to discover connections among the various arts and intellectual pursuits and also to provide a venue for specialized studies not suitable for less experimental journals. 1650–1850 always includes fifteen to twenty extended reviews, reviews that examine major scholarly studies and editions in detail and with robust honesty.

Available
Volume 18
September 2011
ISBN-10: 0-404-64418-X
ISBN-13: 978-0-404-64418-5
Cloth $163.50

CONTENTS

Foreword from the Editor
Ryan J. Stark, Paradise Lost as Incomplete Argument
Laura Thomason Wood, “An Answer from Horace”: Ambiguity and Paradox in Pope’s Imitation of Satire 2.1
Patrick Spedding, Eliza Haywood at the Sign of Fame
Stephen Clarke, “All Ardour, All Intrepidity”: William Beckford at the Strawberry Hill Sale
Brijraj Singh, Patriotism and Its Discontents: The Poetry of Sir John Malcolm
Julia Kark Callander, “Attended by a Whole Nation”: The Americas in The Female American
Sophie Bourgault, Of Ancients and Moderns: The Sociopolitical Significance of Rousseau’s Musical Caricatures
Mircea Platon, Why Did Robespierre Write an Éloge de Gresset?

Special Feature
Metaphor in the Poetry and Criticism of the Restoration and Early Eighteenth Century
Edited and Introduced by Mark A. Pedreira
Special feature introduction
Greg Clingham, Translating Memory: Dryden, Oldham, and Friendship
Jaclyn Geller, A Lock without a Key: Satiric Metaphor in Samuel Butler’s Hudibras
David Venturo, Swift’s Style, the Nakedness of the Houyhnhnms, and the Deceits of Rhetoric
Philip Smallwood, Not the History of Ideas: Laughter, Music, and Metaphor in Pope’s Definition of Criticism

Research Methods Update
David Hill Radcliffe, On the Road with Digital Humanities

Book Reviews
Index


Volumes Available to Order

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10-404-64401-51994$163.50
20-404-64402-31996$163.50
30-404-64403-11997$163.50
40-404-64404-x1998$163.50
50-404-64405-803/2000$163.50
60-404-64406-610/2001$163.50
70-404-64407-406/2002$163.50
80-404-64408-204/2003$163.50
90-404-64409-010/2003$163.50
100-404-64410-409/2004$163.50
110-404-64411-210/2005$163.50
120-404-64412-0978-0-404-64412-306/2006$163.50
130-404-64413-9978-0-404-64413-012/2006$163.50
140-404-64414-7978-0-404-64414-710/2007$163.50
150-404-64415-5978-0-404-64415-409/2008 $163.50
160-404-64416-3978-0-404-64416-109/2009 $163.50
170-404-64417-1978-0-404-64417-809/2010$163.50
180-404-64418-X978-0-404-64418-509/2011$163.50
190-404-64419-8978-0-404-64419-22012 (NYP)$163.50